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The earthenware pots shown
in the following pages (links above) all
date from the mid 1920’s to the mid 1930’s.
They're from a period when Poole Pottery really was in full swing and the
culmination of a decade or so of development. They’re all hand
thrown, in traditional Poole Pottery shapes, many of which would have been
designed by either John or Truda Adams. And they're all hand
decorated in Art Deco patterns designed mainly, by Truda Adams (Truda
Carter). When
Guy Sydenham joined as a thrower on a seven year apprenticeship in 1930,
he joined a team of four existing throwers - Elsie King, Lily Brown,
Bert Way and head thrower Gertie Gilham who made most of the big
pots. Each thrower had an assistant, to weigh the clay and carry
away racks of wet pots, so the throwers could work flat-out,
producing as many as 180 small pots an hour! Halfway through the day
the pots would be upturned to allow for more even drying and once the clay
was leather-hard the foot rings and lids would be lathe turned by Jimmy
Soper, who would also add the shape number and factory stamp to the
base. Unfortunately, the throwers
at this time didn't "sign" their work.
The pottery expanded
rapidly through the early 1920's and by 1924 there were ten paintresses
working in the paint shop at Poole. The process of decoration as far as
I know was this: After been fired, the bisque pottery would be covered in a
white slip and and then dipped in a semi-matt clear glaze before been decorated
with soluble metallic oxides. Once the pots were returned to the kiln
for the second (glost) firing, this over painted decoration would sink
into the clear glaze beneath, giving the pots a soft, almost
blotting paper, appearance. This "Delft" technique was a process that would have left no
room for errors and really makes you appreciate the skill of the
decorators.
These pots drew high acclaim
at the time they were made and and were showcased at trade exhibitions and
retailed through leading stores including Liberty's and Heals in London.
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